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Victorian typeface5/4/2023 Here are 27 of the best royal fonts and regal typefaces we could find on the web. Now that you know all about royal fonts, it’s time to choose one for your next worthy project. UNLIMITED DOWNLOADS: 50 Million+ Fonts & Design Assets Experiment with different weights and styles of royal fonts to find the perfect one for your project.Try using two different royal fonts together for a unique and luxurious look.Use a royal font for headlines or short blocks of text to add impact.Pair a royal font with a simple layout to create contrast and visual interest.Now that you know when to use them, let’s take a look at some tips for using royal fonts effectively: Add a touch of nobility to your business cards or stationery with a royal font.Design a menu for a five-star restaurant with one of these fonts.Create an elegant wedding invitation with a regal typeface.For a luxury clothing brand, use a royal font on your website or in your marketing materials.Need some inspiration? Here are a few ideas: And while you might not think of yourself as particularly regal, we bet you can think of at least one project where a royal font would come in handy. They’re perfect for high-end brands, luxury goods, and anything that needs a touch of class. In short, royal fonts are those that convey a sense of luxury, sophistication, and opulence. So take a look and see which one is right for you! From stately serifs to majestic monograms, these fonts will add an air of sophistication and nobility to any design. Electricity was a new thing in 1897 so these would have seemed distinctly modern.Graphic designers, rejoice! We’ve found 27 of the best royal fonts and regal typefaces you can use in your next project. I’d wondered a few times whether these jagged decorations were meant to be electrical or not. Lastly the catalogue has many pages of clip art figures and decorations including the pointing hands which people always associate with 19th century design. Wooden Type Fonts recently digitised a version of Rubens but their version lacks the elegance of the original. The narrow style made it very useful for book covers (as with the examples here) while those spiky serifs made it popular with art directors looking for a typeface that said “horror”. Rubens is my favourite of all the designs in this catalogue, probably because I always liked the way it looked when it enjoyed a surprising flush of popularity in the 1960s and 1970s. A bold weight of the design was digitised by Scriptorium as a font they call Mephisto. The catalogue pages have a number of variations which is no doubt an indicator of its popularity. This typeface, or ones which resemble it, is a common one in 19th century newspaper and advertising design but I’d never seen it given a name until now. Their accompanying ornament set replicated that curious shape from Victoria below. Atlanta was digitised by P22 in a style they call Victorian Gothic. Anyone wishing to see more can download the whole thing here.ĭespite my affection for curvilinear Art Nouveau, when it comes to typography I’m often drawn to the spikier styles. This is a big catalogue of 740 pages so I’ve been sparing in my selection. The book from which these examples are taken dates from 1897, and it fascinates for putting names to some of those neglected designs. There was such a profound reaction against ornamented design in the 20th century that it’s only relatively recently that typography of this period has been reappraised and, in some cases, resurrected. Being a typophile I’d often feel frustrated when looking at 19th century documents and seeing type designs in use for which there were no contemporary equivalents. Rather than repost any you ought to go and see them for yourself, they’re excellent examples of the best and worst of “Victorian” graphic design, insanely and pointlessly ornate yet often very inventive in their elaborations and stylised letterforms. Mr BibliOdyssey’s most recent post is a stunning collection of title pages from fire insurance maps of the late 19th and early 20th century. “Victorian” isn’t really the correct term for the products of 19th century America but then “19th century” covers rather a lot of ground.
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